“The the domains of marriage and maternity. The narrator’s

“The Yellow Wallpaper” is a story
composed by Charlotte Perkins Gilman, a feminist text which recounts an
anecdote about a woman’s battle against male-centric thinking and societal
standards. It amazes any reader with the immature treatment of the main character,
who stays anonymous in the content. The story revolves around a well-meaning,
but oppressive spouse who makes his wife frantic trying to help her. The story
represents how settled conventions of conduct could have catastrophic affect on
the women of Gilman’s time, regardless of the good intentions of their
significant other. By late twentieth century, the conduct of John would have
appeared to be frightfully improper and prohibitive; however it was thought to
be normal in the nineteenth century.

John in the story can be seen as
dominating husband, a spouse who holds outright control over his significant
other. He regards her as a substandard, as observed here: “John laughs at me,
of course, but one expects that in marriage”. (Gilman 24) John sees his wife’s
thoughts and considerations as bizarre, never considering them important until
the point where it is too late to rescue her from her madness. It is
additionally certain from this scenario that John laughs at his significant
other on the grounds that it is what is deemed normal by society. Afterward,
when Jane takes control of her own musings, his part as a solid, defensive
spouse and pioneer is turned around, and he turns out to be much similar to a
women himself: “Now why should that man have fainted?” (Gilman 33) Having seen
his better half in a condition of insanity he blacks out, much like the
stereotypical stunned women. In accepting her madness, she has turned around
the customary roles of a couple; John’s stun at this inversion additionally
demonstrates his need to control his significant other, or he will be viewed as
a “women” by society.

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The story expresses a concern with the
role of women in nineteenth-century society, especially inside the domains of
marriage and maternity. The narrator’s restriction to her home and her
sentiments of being commanded and exploited by people around her, especially
her spouse, demonstrates numerous limitations that society places upon women.
The yellow wallpaper itself turns into an image of this persecution to women who
feels caught in her roles as spouse and mother.

Gilman’s story additionally communicates
a concern for the courses in which society demoralizes women of imaginative
self-articulation. The desire to communicate through composing is smothered by
the rest cure.  At last, “The Yellow
Wallpaper” addresses issues of dysfunctional behavior and the therapeutic
treatment of women. While the narrator is obviously experiencing some sort of
mental misery toward the start of the story, her mental state is intensified by
her significant other’s medicinal supposition that she limit herself to the
house. The insufficiency of the patriarchal medicinal calling in treating
women’s emotional well-being is additionally shown by the narrator’s dread of
being sent to the Dr. Weir, advocate of the rest cure treatment.

“The Yellow Wallpaper” is a feminist
text since it advances new thoughts from Gilman and challenges old thoughts
regarding women’s position in the society. Gilman presents a female champion
that defeats persecution in many structures to open up her own doors for
individual decision. The content motivates its readers at many levels; however
in particular, it uncovered terrible and unnoticed social traditions that are
second-nature to its male characters. The story advances Gilman’s plan for change
and it shows a women’s battle to find equal opportunity in society.

 

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